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Old Posted Jun 18, 2007, 10:17 PM
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http://home.businesswire.com/portal/...88&newsLang=en

Fujifilm Joins Friends of the High Line, Launches High Line Portrait Project
Hundreds of photographs will be displayed in unique outdoor galleries to raise awareness of High Line park, projected to open in 2008.




High Line Portrait Project outdoor gallery as seen at 10th Avenue & 18th Street. The project is supported by Fujifilm.

June 18, 2007

NEW YORK--(BUSINESS WIRE)--As the High Line park takes shape above the streets of New York City, construction fencing in the neighborhood will feature improvised outdoor art galleries covered with photographs of High Line supporters from the local community and beyond, Friends of the High Line (FHL) announced today. The group will also launch a Web site featuring the portraits, www.thehighline.org/portraits.

Dubbed “The High Line Portrait Project” and made possible with a $50,000 donation from Fujifilm, the photographs capture the spirit of the inventive new park that is being built atop the High Line elevated rail structure, which runs through the Manhattan neighborhoods of the Meatpacking District, West Chelsea and Clinton/Hell’s Kitchen.

Fujifilm’s contribution to FHL will help support community outreach efforts, including the Portrait Project, in the final year before the Park’s opening. The first section of the Park (Gansevoort to 20th Street) is slated to open to the public in the summer of 2008.

“Set atop an out-of-use freight rail trestle, the High Line will be a park like no other. It shows the creativity and innovation that makes New York City great,” said Robert Hammond, Co-Founder of FHL, a non-profit grassroots organization dedicated to the preservation and reuse of the High Line. “What started as a few people's dream turned into a community project, gained worldwide support and is finally becoming a reality. The High Line shows what can happen when we dream big.”

What's Your Dream? The High Line Portrait Project

The Portrait Project is driven by the enthusiasm and dedication of the Friends of the High Line, with support from Fujifilm and noted event and fashion photographer Tom Kletecka (whose client list includes designer Marc Jacobs, Travel + Leisure magazine and Cartier). Kletecka volunteered his time to photograph High Line supporters in front of a backdrop of the High Line as photographed by Joel Sternfeld, whose images of the High Line were instrumental in bringing public attention to the project in 2000. Each participant at the photo events received a commemorative copy of his or her portrait to take home, courtesy of Fujifilm’s digital printing technology.

The portraits will be displayed in several locations surrounding the High Line during the summer of 2007.
The High Line is proof that the most far-fetched imaginings can come true, and each person who is photographed for the Portrait Project was asked, "What’s your dream?" after their picture was taken. Their answers will appear with their photos on the Portrait Project web site, www.thehighline.org/portraits. The images will also be compiled in a commemorative publication.

"The High Line Portrait Project is a unique way to showcase the dynamic group of supporters who have guided the project from dream to reality," said Adrian Benepe, Commissioner, New York City Parks & Recreation. "The High Line itself is a work of art and there is no better way to celebrate its supporters than through this exciting exhibition."

In the summer of 2006, the High Line and Fujifilm collaborated on another photography project. Two hundred children who live in the local community received Fujifilm QuickSnap one-time-use cameras and were asked to take pictures of things they thought were important and interesting. The photos were then exhibited along the concourse gallery of Manhattan's Chelsea Market. Originally the National Biscuit Company and a stop on the High Line, Chelsea Market is now home to small shops that sell gourmet food. You can see these images at: http://www.thehighline.org/gallery/cameraproject.

“The need to find, protect or create greenways, particularly in such a unique, visual way is so important as part of a global effort to maintain a balance with the environment,” said Camilla Jenkins, Vice President, Corporate Communications, FUJIFILM. “The ideals and project fit perfectly with Fujifilm's global commitment to preservation, conservation and community cultural efforts. This effort has succeeded tremendously already and we hope this project will remind other companies and individuals that there continues to be a great need for community support for the High Line now and into the future.”
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Old Posted Aug 28, 2007, 3:30 PM
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Posted on curbed.com

High Line Construction Chronicles: Standard Anything But

Tuesday, August 28, 2007, by Queens Crap



Hotelier Andreé Balasz' Standard Hotel that's rising astride the High Line in the Meatpacking District will be anything but standard—even when compared to some of Manhattan's latest daring architectural excursions. It'd been a few months since Curbed stopped by to check it out, but come Andrew Fine, who reveals how the project is taking shape (above). Eventually, it will look like this:



Or at least, that's what we think it will look like; Balasz has never released final renderings of the building, but what's taking shape sure looks a lot like this rendering. Andrew Fine summed it up: "One word, wow!" And that just about sums it up for me, too.


More pics...
http://afinecompany.blogspot.com/200...-standard.html
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Old Posted Oct 23, 2007, 10:08 PM
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http://gothamist.com/2007/10/22/highline_update.php

Highline Update: Now with Cool Benches



October 22, 2007

Wow-- things are really changing fast up on the Highline. Since we last visited a couple of weeks ago, new benches have been installed, and holes seem to have been cut for new stairwells leading down to the street. The entire platform bed south of 30th Street has been cleared of brush and coated with a new layer of concrete, giving the rail-bed an eerie surface-of-the-moon look. The buildings along the line have also grown-- especially the new Standard Hotel near 12th Street.

More photos...
http://gothamist.com/2007/10/22/highline_update.php
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Old Posted Oct 30, 2007, 7:24 PM
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http://curbed.com/archives/2007/10/3..._mews.php#more

Getting Glassed: The Standard, Soho Mews



Tuesday, October 30, 2007, by Joey

In certain circles, Andre Balazs' Standard Hotel on the High Line is the most important building to ever be constructed in Manhattan. To others, architect Charles Gwathmey's stately and refined Soho Mews is a breath of fresh air in the condo scene. Today, both sides can get excited and exist in harmony, because the two anticipated buildings are getting their glass on. Hooray!

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Old Posted Nov 2, 2007, 10:28 PM
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[The Standard cometh; photo via Danny L./Curbed Photo Pool]
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Old Posted Aug 29, 2007, 10:03 PM
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More from curbed.com

More Standard Porn: The High Line's Perpetual Lap Dance
Wednesday, August 29, 2007, by Joey

Friends: Today is Hotel Day at Curbed HQ, meaning that over the course of our whirlwind Wednesday adventure, you will be reading several items regarding ... hotels. Blame it on our transient nature. Hope you enjoy!



Following yesterday's photo update of Andre Balazs' Standard Hotel in the Upper MePa, a Curbed reader sends along a couple more shots of the High Line-straddling hotspot-to-be. There's something a little terrifying about the way the Standard just dangles up there, waiting to collapse on the heads of all those taking in a nice Sunday afternoon with a little stroll on the High Line (those who will be allowed to, anyway). Maybe that's just our batophobia. Another thing that could be just us is the Standard Hotel look-alike that immediately popped into our heads after having a glance at yesterday's picture.



At left, the Standard Hotel. At right, the Star Wars AT-AT All-Terrain Walker. Separated at birth?
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Old Posted Jan 26, 2007, 6:04 AM
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Its projects like these that make a city special. Hope everything works out well!
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Old Posted Feb 2, 2007, 8:23 PM
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High Line Update: People Smiling, Paint Drying



When the latest Friends of the High Line update came through with an announcement that we could "have our portrait taken as part of the High Line Portrait Project," we got pretty geeked. Finally, us commoners could get up on those rails and see what all the fuss is about—and take home a souvenir! But something didn't seem right about those photos. The elderly and dogs risking twisted ankles to get up there? Sure enough, upon closer inspection, you can actually get your portrait taken in front of a High Line backdrop. Ah well.

As far as a real High Line update (sorry, that photo thing really did bum us out), the email also included that as well. While the campaign to save the West Side Rail Yards portion of the High Line goes on, construction continues on the so-called Section 1. Sandblasting, painting and structural repairs are in full gear, and this prep work is expected to be complete in the summer. Then comes some landscape work and the building of more access points. Then comes our secret keg party that you'll all totally be invited to.


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Old Posted Mar 5, 2007, 8:16 PM
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Great to see things moving along.

I also noticed that quite a few construction projects right by the High Line are progressing well.
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Old Posted Mar 28, 2007, 1:12 PM
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Observer

High Line Park Spurs Remaking Of Formerly Grotty Chelsea



By John Koblin

The mission of the High Line, the future park that will rest on an elevated train platform slicing across 22 Manhattan blocks, is to slow down. The park’s designers want the experience of it to be meditative, a break from hustling urban life.

But just beyond its limits—which stretch only as wide as the skinny platform, at 30 to 60 feet—there is a frenzied contrast. Up and down the High Line’s mile-and-a-half stretch, dozens of sites are readying for construction.

At least 27 projects—mostly luxury condos and hotels—are in various stages of development: Some are being constructed, others have just broken ground, and a few are in the design stages. And many more are expected.


All of the projects will have an intimate relationship with the park: Some buildings will have private access points that lead to walkways into the park; three will actually have the High Line tucked inside the buildings; many will loom over the park, with high-end retailers serving as a backdrop; and all will be capitalizing on a rare chance to develop directly next to—or, in some cases, within—Manhattan’s newest public park.

“I think it’s remarkable,” said Andre Balazs, whose two developments both have the High Line running through them. “It’s like having a building in Central Park.”

Many of the planned buildings include a ridiculously well-muscled list of architects: Frank Gehry, Jean Nouvel, Renzo Piano and Annabelle Selldorf, just to name a few. The formerly hardscrabble part of West Chelsea, already on its way out, will soon be no more.

“Every parking lot and every derelict building in that neighborhood will be redeveloped,” said Ron Solarz, a broker at Eastern Consolidated, which is representing at least three sites in the area. “It will be all hotels, condos, rentals and restaurants with super-high-level users.”

But what will it mean when it’s all added up? The architects, the developers and, ultimately, the new dwellers have the chance to influence something so routine, yet so hard to achieve in New York: reorienting the identity of a neighborhood.

And who exactly are these people clamoring to move into the new West Chelsea?

ON MARCH 22, A NEW LUXURY CONDO named the Chelsea Modern, located on 18th Street off 10th Avenue, held a launch party. Prices for each of the 47 condos starts at $1 million. The party’s high-wattage attendees included Ivanka Trump, Spanish supermodel Eugenia Silva, and socialites Emma Snowdon Jones and Tracy Stern.

Matthew Betmaleck, a 39-year-old who owns his own fashion-photography company, spent $1.25 million on his unit in the building. He said the building’s proximity to the High Line is why he bought in.

“It’s Manhattan, so outdoor space is at a prime,” he said, wearing glasses with a Club Monaco scarf wrapped around his blazer. “If you live on the Upper East Side or the Upper West Side, Central Park is at your front door. Right now, I live on Bank and Washington, so I go to the West Side Highway all the time for rides or to walk my dog, and I think it’ll be the same thing at the High Line. It’ll be a destination, and people will come and check it out and say, ‘Wow! What’s that? I wanna see it.’ But I think ultimately the people who live here will be the people who use it.”

Greg Casto, a 26-year-old working in public relations, hopes to move into one of these shiny new condos when he can afford it. That’s because West Chelsea defines what Chelsea means to him already.

“Chelsea is becoming a very focused, very smart community,” he said. “That’s what you’re seeing here—not only in living arrangements, but in shops and restaurants, too. Everything that is around Chelsea is becoming very sexy and very sophisticated. And that’s the key message everyone is bringing to Chelsea: smart and sexy.”

He said he’s lived in New York for nine months.

The High Line streaks from Gansevoort Street in the meatpacking district to 34th Street. The entire train platform, which is made out of a very 1930’s combo of steel and reinforced concrete, will become a park, except for the portion between 30th and 34th streets that’s shaped like a sideways J—the city is still figuring out what to do with that section.

The park is scheduled to open in the summer of 2008, with a projected cost of $165 million. The city has raised $85 million, the federal government has given $22 million, and private funding has raised more than $17 million. The Friends of the High Line, the nonprofit arm that has pushed this project forward, has launched a campaign to raise an additional $40 million.

“I’m very excited about the project,” Congressman Jerry Nadler told The Observer. He took a tour of the High Line in 2005 with Senator Hillary Clinton and City Councilwoman (now Speaker) Christine Quinn to boost support for its redesign. “It certainly says something about the power of the West Side.”

The park, designed by Field Operations and Diller, Scofidio & Renfro, is unique in that it will be open around the same time as the dozens of luxury developments skirting it.

IT'S THIS LUXURY, WHICH LITERALLY OVERSHADOWS a park birthed through hefty public support, that raises the question: Will the High Line become a stylized playground for the rich only?


The Friends of the High Line loudly say no.

“We care passionately about this being a place for all people in the neighborhood and all New Yorkers,” said Joshua David, who co-founded Friends of the High Line in 1999. “And if there are some expensive buildings in the High Line neighborhood, then that’s true of neighborhoods throughout Manhattan. But this remains an incredibly diverse neighborhood, and we’re committed to its diversity.”

At the least, the people who move into these condos will have a comfy lifestyle. Mr. Balazs’ 14th Street High Line Building, for instance, will actually include the High Line, even though the Parks Department will still manage the part that’s inside. Mr. Balazs described the 15-story property as a “private club” that will be for “members only,” who will buy into the building and rent out rooms as a hotel.

According to one source, the High Line Building may also ask the city for a private entrance from the building that leads to a passage to the park—in essence, a direct passage from the building to the park itself. Connection to the park, said developer Charles Bendit, will be a main selling point for all landlords who can get access to it.

“It’s like living two houses off Central Park, and you have access to the park right around the corner,” he said. “You will have the same benefit here.”

Several more developers are expected to make a request for this sort of private entrance once their buildings come closer to completion, the source said.


The one building that has made the request is the Caledonia, which is owned by Mr. Bendit’s Taconic Investment Partners and mega-developer the Related Companies. The tower’s approximately 185 luxury condos are sold out, Mr. Bendit said. The building has already signed Equinox, which will have a second-floor view that will overlook the High Line.

Mr. Bendit said he expects other developers to follow suit—to bring in high-end retailers to overlook the High Line from their second- or third-story windows. Even if there aren’t direct connections to the stores themselves, if a person strolling in the park has a wandering eye for the Bed Bath & Beyond right next-door, then he can shuffle down the High Line’s stairs and buy that shower curtain he always wanted at a moment’s notice.

Naturally, the marketing machines are already moving with a swift pace. High Line 519, a condo being constructed on 23rd Street, markets its units as a “fusion of contemporary architecture, European opulence and raw Chelsea charm.”

But what exactly is “raw Chelsea charm”? Does it recall the authenticity of Chelsea and the meatpacking district in the 1970’s and 1980’s, when S&M and gay leather bars like the Eagle, the Mineshaft and the Lure pervaded the area? Or is it the gritty urban setting that’s currently in its last throes?

Whatever the appeal, it’s now being smoothed over with that burnished architecture. The New York Times architecture critic Nicolai Ouroussoff recently called Mr. Gehry’s development, between 18th and 19th streets near the High Line, a strong—if safe—project and lavishly praised a stairwell in the building, saying it might be the city’s best.

Indeed, it’s projects like Mr. Gehry’s that make for few, if any, detractors of the re-imagined West Chelsea. Even classic naysayers for most projects, like Florent Morellet, the owner of the meatpacking mainstay diner Florent, approve of it.

“I believe the change is positive,” he said. “You have to live with change. When I took over the restaurant, there were people who moved in the neighborhood in the 1970’s, and people said, ‘That’s it. It’s gentrification; it’s over.’ Then more moved in during the 80’s, and they thought it was the end, and the same in the 90’s. Every month, someone says to me the neighborhood is finished.”

So with a new element about to wind its way through the area, there’s naturally one thing to do: plan a big party. Even though the High Line is more than a year away from opening, tickets are on sale on March 30 for the official H&M-sponsored High Line Festival to help raise additional funds for Friends of the High Line. The party will be in May, though it won’t take place on the High Line, since it’s still illegal to enter it. But that’s beside the point.

For a project and an area that places such a premium on famous luminaries like Mr. Gehry and Mr. Nouvel, this event fits the bill. The famous gay party planner, Josh Wood, and Broadway producer David Binder are organizing it. David Bowie will curate the festival. High-profile artists like Laurie Anderson and Arcade Fire are among those that will perform.


Of course, the H&M-sponsored event, which will also get some sponsorship help from Garnier, Jet Blue and Grolsch, looks a lot like the High Line and all the developments around it—a little edgy, but something that is definitely established.

Mark Wellborn contributed reporting to this story.
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Old Posted Mar 28, 2007, 8:59 PM
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dude this nuts.. why havent I heard of it?
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Old Posted Mar 28, 2007, 9:02 PM
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dude this nuts.. why havent I heard of it?
Most people in New York probably haven't heard of it. But, I'm guessing once it opens, that will change in a hurry.
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Old Posted Mar 29, 2007, 10:15 PM
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I've talked to my parents and aunt about this. These people grew up and around New York (Queens actually) and didn't even know what the High Line was.
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Old Posted Mar 29, 2007, 10:29 PM
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I've talked to my parents and aunt about this. These people grew up and around New York (Queens actually) and didn't even know what the High Line was.
Yeah New York City is so big that people in one area don't really know too much of another area and find themselves surprice when they see something new and different.
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Old Posted Mar 29, 2007, 10:58 PM
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Well, the High Line in general is old. It's redevelopment is new. But I get your point.
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Old Posted Apr 6, 2007, 2:28 AM
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Is the pitched-roof building in the third photo still standing?
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Old Posted Apr 6, 2007, 12:10 PM
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Is the pitched-roof building in the third photo still standing?
I don't think that particular one is, but there are other, similar buildings...
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Old Posted Dec 6, 2007, 11:18 PM
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http://chelseanow.com/cn_62/preservingthehigh.html

Preserving the High Line’s northern section


Robert Hammond, co-founder of Friends of the High Line


By Lawrence Lerner
November 30 - December 6, 2007

In 1999, Robert Hammond and Josh David founded Friends of the High Line (FHL), a non-profit organization dedicated to the preservation and reuse of the High Line, a 1.5-mile-long historic elevated rail structure that runs through Chelsea and other neighborhoods on the West Side of Manhattan. The pair, bolstered by widespread support, managed to get the city onboard and in 2005 save the southern section of the High Line, between Gansevoort and 30th Sts., which is currently being transformed into a park in two phases, due to open in September 2008 and 2009, respectively.

But with the proposed Jets stadium plan recently defeated and the future of the Western Rail Yards in doubt in 2005, the city and High Line owner CSX Transportation left the High Line’s northern section—which loops around the Hudson Rail Yards between 10th and 12th Avenues from 30th to 33rd Streets—out of the deal and vulnerable to demolition by developers, the city and the Metropolitan Transportation Authority (MTA), which owns the rail yards. Now that developers, bids for the yards have been made public, we sat down with Hammond to get his thoughts on the prospects for this northern section of the High Line.

From the beginning, you had an uphill battle to save the High Line from demolition. What’s been FHL’s approach?
Yeah, I thought we had only a slight chance at first. But we never wanted to be a group that had to throw itself in front of a bulldozer. We felt that if it came to that, you’ve already lost. All along, we wanted to make arguments beyond just, ‘Save it.’ We wanted the High Line to make sense from both economic and urban planning standpoint—and come up with an alternative use for the rail line—not let it be just about preservation, because ultimately, we see this as a great resource and an opportunity, this mile and a half of elevated Manhattan.

Who were your allies in the fight to save the southern section, and now as you attempt to preserve the northern section?
The core base is our supporters, along with the city, the City Council and elected officials like Christine Quinn, Scott Stinger, Tom Duane, Jerry Nadler, Chuck Schumer and Hillary Clinton. And the state and MTA have come around. The Bloomberg administration has been a big supporter, which has been key. We probably wouldn’t be having this conversation if the city wasn’t behind this.

Who in the Bloomberg administration has been key?
[Deputy Mayor Daniel] Doctoroff has said he wants to keep the High Line. But there was concern at first, since this came about in the wake of 9/11, and the Bloomberg didn’t have enough money to pay for the parks the city had. Dan didn’t want to see pretty pictures; he wanted hard numbers back in 2002. That’s when we did our first economic feasibility study to show it made planning and economic sense for the city. Dan got more and more excited when he saw the economic potential for the High Line.

Tell us more about that study, since it has a bearing on your arguments for preserving the northern section now amid the recently released Hudson Yards bids.
We did a study that said that over a 20-year period, the city would get more tax revenue than it would cost to rebuild it, even though the city wouldn’t be required to pay for all of the construction. John looked that the natural increment in value that will happen in the neighborhood, assuming it’s rezoned and real estate values go up, and he looked at how much the city would reap from that. Then he factored in the addition of the High Line and found three areas of benefit: It creates more light and air for properties adjacent to it; when you’re close to parks and open space, your property values go up between 10 and 14 percent over nearby properties; and third, it made good urban planning sense, because the High Line makes for a better neighborhood, and I think it’s encouraged developers to use interesting architects nearby.

What specifically have you found regarding real estate values and benefits to the city?
We also talked to consultants who said the way to create real value is to create a marketable district, like the Gramercy Park neighborhood. Apartments listed in that area fetch a premium. Likewise, we’ve seen listings for “High Line apartments” that have no view of the High Line but are close enough to reap that benefit. Last year’s Lonely Planet travel guide has five references to the High Line, and it’s not even open. It becomes a destination, something people want to work and live near and visit. In 2002, we estimated it would bring incremental tax revenue of nearly $200 million. John updated that study, and the conservative figure is now over $400 million. Dan [Doctoroff] did a study that said the High Line has already created $950 million in real estate value. That can only bode well for the northern section of the High Line and Hudson Yards.

Now, you’ve made a strong economic argument. What about the High Line from an urban planning standpoint?
The High Line is not a wheat field in Kansas. To me, the power of the High Line is that it’s in the city. There are a million miles of train tracks in this country with wildflowers growing on them. But it’s only on the High Line that you can see the Empire State Building and meander through a corridor of buildings that are in constant flux, with new buildings next to old ones. It will not be a static experience. And it’s not a park with a key; it’s a public park for people of all income levels.

Trace the main arguments for demolition of the northern section of the High Line.
The MTA was concerned that preserving the High Line was going to add complexity to the Hudson Yards development and make it cost more, and they needed to get maximum return on the land, which is public. We argued to the MTA that it would add some complexity and cost more, but not of the magnitude they were predicting, where it would really impact the project. So, we did another study to show why it made economic sense.

The main issues fall under three categories: construction feasibility and related cost, real estate values and retail/parking potential, and urban planning/historic preservation.

With construction, MTA and developers argued that you couldn’t get machines necessary to build the pilings for the rail yards platform underneath the High Line, but we showed that you certainly can. And they could also use the High Line itself as a staging area for cranes and other machinery—that is, both above and below it.

How about retail and parking?
Well, the MTA also argued that they could tear down the High Line and rebuild something better, since it would be easier for developers to construct the platform and buildings, and that way you could get two floors of retail space underneath the new structure, instead of one, and make it easier to build around it because it would require fewer columns than the High Line has. Our argument is that underneath the High Line makes for a much more interesting retail space, lending itself to high-end boutiques. Sure, it makes it much more difficult to put big-box stores underneath because of all the columns, but there is lots of space in the Hudson Yards development for big-box, and the developers proposals show that.

The MTA also wanted to put parking under the High Line and said you couldn’t do that because of its deep pilings underneath the columns. We estimated that you’d lose about 20 percent of the parking spots by preserving the High Line, since a new structure would require shorter pilings, leaving more space for parking. But you could still put in below-grade parking with the High Line in place, and you could do two levels of parking just inside the 30th St. side of the High Line, where there’s 160 feet between the High Line and the rail Yards. We also think that to tear down the High Line for parking would be, well, a big mistake.

And urban planning?
That 160-feet buffer I referred to means that the High Line creates an important set-back along 30th Street. Remember, developers are going to want to build out where they can to make their money back. If you tore town the High Line and built right up to 30th Street, you’d create avenue-like density on a side street, which, from an urban planning perspective, would be disastrous.

Along the same lines, the MTA also argued that because the rail yards platform running along 12th Avenue would be higher than the High Line, it would be difficult to connect the two and would be better for the platform to go right up to the road. We argued that the High Line would actually act as a soft-edge buffer to the road and be much more visually appealing and decrease density by creating another set-back, and you’d have two viewing platforms from which to look out onto the Hudson River. And it would be easy to mediate the two with ramps. Ultimately most of the developers agreed with us—and it shows in their plans. Furthermore, along 12th Avenue side, you could connect the High Line with Hudson River Park by creating walking causeways over the road. All the plans showed this, too, since the city always wanted that as well. Then there’s the connection a contiguous High line makes with the other neighborhoods it runs through. All of this makes good urban planning sense.

What’s your historic preservation argument?
It’s pretty simple: We’re going to have over 12 million square feet of new development in Hudson Yards. Let’s keep something that’s actually original. This is a rail yard; don’t we want evidence of the rails there? The High Line is a reminder of the history there. Finally, the last thing we want to do is let the High Line go the way of the old Penn Station. We have a chance to get it right this time, and we should capture that opportunity.

Are there any big outstanding issues you’d like to see resolved in the Hudson Yards bidding process?
Right now, MTA has no plans to divulge any of their financials behind the bids. So, we don’t know the difference between the bids that include the High Line and those that don’t for each developer, which may sway the MTA’s decision. Also, we would want to know the thinking behind the numbers. You can ascribe a cost to a plan, but we want to look through those numbers to make sure they’re right and are using accurate information on the High Line.

We’ve seen this movie before, when we were saving the southern portion: People made many specious arguments, some involving numbers. And people tend to believe developers more than us, thinking we’re dreamers trying to save the High Line, even though we’ve proven we’re more than that. So, we’d like complete transparency.

How do you size up the new Hudson Yards proposals just unveiled?
The good news is that the MTA and state have said they support saving the High Line, and I think most of the developers see the High Line as an asset, as reflected in their proposals and their conversations with us. But just because they show it in their plans doesn’t mean they’ll preserve the High Line. There’s no requirement in the RFP for that, so we want the MTA to mandate this.

Extell, Related and Brookfield’s proposals kept the High Line in its entirety. The first two build right up to it and connect to it; Brookfield leaves some space and lets the High Line stand apart. I think it’s interesting that Extell and Brookfield didn’t conform to the RFP’s zoning guidelines. Every developer and architect has told us that the RFP was a bad example of urban planning, in general, to try and work under. The open space stipulated by the RFP would create a dark wind tunnel. Hopefully, MTA will be open to those proposals that deviated from their plan.

The Durst plan calls for demolition of the High Line all along 12th Avenue and the spur over 10th Avenue; all they keep is part of the line running along 30th Street. Tishman-Speyer keeps all of it except the spur; I hope they’ll reconsider that. Brookfield is the only one that doesn’t have buildings spanning over the High Line at 12th Ave and 30th Street. It’s a plan that allows sun into the open space. And Extell’s designer, Steven Holl, has a real sensitivity for the High Line: His office has overlooked the High Line for 20 years.

Which proposal does FHL like the most?
We’re going to do a study of all five proposals and how they interact with the High Line. I also want to hear the upcoming architect presentations [at Cooper Union on Dec. 3] before commenting on that. The point that we want to make is that a lot of these innovative ideas can be incorporated into whoever’s plan is chosen. We don’t want to pick a favorite developer. We want to work with whoever is chosen and encourage them and the MTA to pick the best ideas from all the projects. And remember, the selection is not the end of the process; it’s the beginning, since this will all go under public review. And none of the developers wants to cut us out of the conversation. They want to work with us, so that’s good news as well.

Will you be relieved when the fight if finally over and FHL can shift full-time into conservancy mode? What will you do with yourselves?
Yeah, part of me will miss the battle. But then we’ll have to concentrate on the real thing: maintaining the High Line and keeping it safe. That’s why we’ve started a membership program—to help fund ongoing maintenance and operations—just like Central Park Conservancy. It’s a less dramatic battle but equally important, since no park that isn’t maintained and kept safe with Park Enforcement Police will thrive.

What portion of maintenance and security will FHL pay?
Central Park Conservancy pays 70 percent of the costs for that park. We’re going to have to pay our fair share as well. So, we’ll need to keep raising money for a long time to come.
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  #19  
Old Posted Dec 12, 2007, 10:54 PM
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http://forum.skyscraperpage.com/show...=119155&page=3

Jay-Z Gets $66M Site for Five-Star Hotel



By Natalie Dolce
December 12, 2007

Entertainment mogul Jay-Z has earmarked a Chelsea development site as the location for J Hotel, an upscale five-star 150,000-sf luxury hotel. The hotel will be the flagship for his new hospitality brand, which he intends to roll out in select cities following this New York City debut.

J Hotel, in the heart of the gallery district between 10th and 11th avenues at 510 W. 22nd St., also known as 511 W. 21st St., will be a prominent new addition to the burgeoning High Line neighborhood, according to Eastern Consolidated, who exclusively represented the seller. An Eastern Consolidated spokesperson tells GlobeSt.com that they cannot disclose the identify of the seller at this time; however, they did note that the seller is a private locally based investor who has owned the property for a long time.

Eastern Consolidated director David Johnson, with executive directors Ronald Solarz and Eric Anton, represented the seller of the prime block-thru site, and also procured the buyers. The site was purchased by Jay-Z partners Charles Blaichman of CB Developers and Abram Shnay, along with son Scott Shnay, of SK Development Group in two separate transactions, namely the acquisition of the base site for $51 million, followed by the acquisition of the air rights for $15.4 million, totaling $66.4 million.

“West 22nd Street, between 10th and 11th Avenue is arguably the heart and soul of the West Chelsea High Line district and is a perfect location for an upscale life style-oriented five-star hotel,” notes Solarz. According to Johnson, “we were able to obtain a benchmark price for M-zoned land in the High Line district.”

Currently the site is occupied by a five-story 88,000-sf warehouse and parking facility net leased to Time Warner Cable Inc., which will vacate. Joseph Hershkowitz of Frenkel, Hershkowitz & Shafran represented the seller, and the buyers were represented by Larry Drath of Holman & Drath LLP.
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Old Posted Sep 20, 2007, 11:22 PM
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LOL at the Emperial Walker comparison! I was just thinking over and over again that the building is horrid and yet here we go -- the best comparison out there
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