^ No, that was the concourse, not the headhouse.
I'm neither excited nor offended by this design... as Clarkkent pointed out, it's just a "quiet" strategy that tries to be relatively inconspicuous in the sea of West Loop econoboxes. Hopefully the lighting will reflect this too, illuminating the historic masonry parts while letting the new addition sit in relative darkness. Certainly if the architects tried to do something shiny and splashy like Hearst Tower but they didn't nail it, the result would be far more cringe-inducing than this.
There are a lot of interesting ways they could have gone with this, though. If I didn't know it was steel and glass, it almost looks like a subdued Brutalism, like the amazing nuanced buildings that Josep Lluis Sert did at
Harvard and
BU. If Harry Weese were still around, he would undoubtedly propose something powerful here in a similar vein.