Quote:
Originally Posted by the urban politician
^ I'm curious what you think makes this structure so important. If you can answer this question in the 'General Developments' thread, I'd appreciate it.
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TUP asked me above, in the transit thread, to explain why a Mies van der Rohe "shack" is of importance. I am going to try very briefly to do so here, in a limited amount of time.
First, it should be noted that almost every architectural historian who has lived past 1950 would agree that Mies was one of the three most important modern architects to have lived. Like him or hate him, you cannot deny this. Further, it is impossible to ignore the influence his work had on the profession, in virtually every corner of the globe.
Second, with that groundwork laid, it's important to understand what Mies was truly after in his work. One of the overriding missions in his career was to define / discover / identify a form of building that was appropriate to modern times. This went far beyond the aesthetic to much more philosophical roots: What does it mean to build, what impact does building have on society, how does building reflect technology and the time of its construction, how can the architect elevate building to the sublime realm of art? Mies wanted to find an inherent "language" in architecture, appropriate to modern times, that would be as solid and lasting as that of the Romans or ancient Greeks, and if you look at what's going on around us, in many respects he did just that.
As such, Mies's work - perhaps more than any other architect - must be seen as a continuum, requiring as much of our focus as Mies the man put into it. Something as mundane to the average civilian as the orientation of a wide-flange column could have serious philosophical meaning in his work, and Mies was the kind of guy who would spend days or weeks or years studying a simple problem like that. It is up to us to reach a level of comprehension deep enough before we judge it.
IIT was Mies's laboratory. It cannot be seen as a merely collection of Mies buildings, but rather must be seen as a whole composition. He spent several years just designing the master plan and not even building structures, something he called the "biggest decision I ever had to make." The arrangement of the buildings, the way they interact with one another, is in many regards as important as the buildings themselves. To remove a building in his hand from that composition, however minor, is to rob the composition of its richness. Plus, there is something great at IIT about seeing true masterpieces such as Crown Hall or the Commons along with the constantly evolving ideas that produced them. You might consider these small, minor buildings as "follies," as I said earlier, or maybe like "B-Sides and Outtakes" from your favorite band's re-release album.
Third, this "test cell" reveals some unique things about Mies's language and evolution of that language. I haven't seen the original plans (yet) nor do I know how much of what we're seeing is original (probably everything). But there are unique details on the building (the brick bond, the roof detail, the door) that I believe have a lot to say for those truly interested in understanding this man, and there are many such people. They flock to the IIT campus every day.
For these reasons (and others I'll probably regret forgetting at the moment) I have no doubt that the building is worth preserving. I hope this answered your question. I highly recommend Phyllis Lambert's essays in
Mies in America, which address a lot of this in painstaking detail.