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Making it not much higher than 900' would barely differentiate it from the height of this tower. |
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^One Chicago Square and the new Tribune Tower I believe as well.
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I think Mr D has covered this more thoroughly in this thread before, but there is more than just a single lot zoning consideration here. Limit has to do with net density of the neighborhood. Generally speaking, the likelihood of it getting built taller is much less than what to normally hope for and certainly isn’t similar to the alleged ‘dozens’ of other examples. |
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There's an attached pdf to the page to show you what one must do to change zoning for a lot. https://chicago.curbed.com/2017/7/27...nance-approved Here was when Lincoln Yards became a viable project https://www.chicagobusiness.com/comm...-fulton-market Same idea here, with no office size limits being put in. Prior, the limit was pretty harsh at 9,000 sqft. That being said, this zoning change had nothing to do with height. Still though, my main point was centered around major zoning changes being a thing since it was in response to "it can't be this big since it isn't zoned to be this big" This was the general upzoning I was referring to from a couple years back: https://chicago.curbed.com/2016/4/15...od-zoning-plan https://www.post-gazette.com/life/tr...s/200705180367 Here was when the Spire received the zoning change back so so long ago... Anyway, this plus the recent zoning changes at LSE(https://chicago.curbed.com/2018/8/30...opment-meeting), and Wolf Point(https://www.chicagoreader.com/Bleade...roved-it-twice) should suffice for my point. |
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Zoning changes happen all the time. I'd guess thousands happen every year in this city. You can see the list that gets voted on by city council and it's pretty long every month.
You may be thinking of a Planned Development which is a negotiated zoning change between developers and the city for larger/more important projects. Once a PD is in place it's harder (but not impossible) to change zoning within it. I'd guess this tower sits within a PD, but the lot next to it may or may not be included. Here's the ordinace that outlines all details of this PD plus all (yes zoning changes) to it since it was created: https://gisapps.cityofchicago.org/gi..._pds/PD499.pdf |
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PD 499 covers this tower and the lot next to it, and most of (all?) of central station. Like you say, not impossible to change but much harder. Enough so that you can't just hand wave the height limit away as something that typically changes. |
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The best example of this process is the LSE PD which has already been amended countless times to change heights and shift density around since it was first enacted. Most notably the Vista site required an amendment to the PD which allowed a building up to 1200' with it's current configuration of hotel and residential units. Changing the allowed height for the Michigan and Roosevelt site would be no harder than changing the PD was for Vista to allow a 1200' building instead of 850' or whatever the limit was before. In fact, it would be literally the exact same process except they would likely not be requesting any shifts in density or unit count since they are already planning max density on that corner and almost none on the town homes site just South on the east side of Indiana. From that perspective the process would be simpler than what was required to make Vista a possibility. |
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^^A true Chicago beast^^One of its best views. Nice shot Bvic.
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Excellent pic and is that the same type of grating they're going to use for Vista's blow through?
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^^^ Vista's blow thru will be open, no grates or panels. Has to be in order to have the desired aerodynamic effects.
This tower is very Searsy, loving it. The grates themselves harken back to Sears hardcore. |
another great one
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Copying it doesn't make OGP great, it's just a copy. And not even an authentic copy, as it doesn't use the same structural system, which is what dictates Sears' architectural form. It just tries to copy the look of the form, just on a smaller scale, and in white instead of black. |
^ It's obviously Vinoly's take on a Chicago icon. Sears is great, and OGP is inspired by greatness. Its verticality, smoke glass, white lines and black louvers are a perfect fit for this town and hardly a copy of Sears. What's there not to like?
Let's thank Vinoly for channeling Sears Tower energy and not some tower in Miami! |
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Tallest all residential in the city as well might I add ;) |
Wow, this one is really looking great too. This and Vista are the top two new towers by far.
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Just being tall doesn't make it great either. NY WTC pre 9-11 comes to mind. |
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In this case, one of the surroundings is another building, which is incredibly important and iconic. NEMA borrows some ideas from Sears, puts its own spin on it, and marries it with the particular needs of its own site and program. The end result enhances both NEMA and the broader skyline, IMO. |
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No, a great building has to be able to stand alone as well. What buildings is the Empire State Building "in dialogue" with? I would argue none. Not the Chrysler, that's not even in the same neighborhood. Nor does it really care about its surroundings. It's the Empire State Building, its surroundings can kiss its ass as far as it's concerned. |
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Great little build though! |
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You are taking people very literally, and again, not everything has to be in concert with one another, but when it is done well, it's obviously a plus. NEMA is an example of this. I take it you aren't very poetic with your overtly literal interpretations of buildings and how people describe their impact/influence on the urban environment/fabric. |
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You should make its twin, too. |
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So, it appears to me that criticizing a fellow former for utilizing this language would be misguided. |
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I do agree that buildings designed with their environments and surroundings make for the best buildings. But I don't agree that they have to have a dialogue with surrounding buildings in order to be great. Buildings have to be able to stand on their own and considered independent of other buildings. As I said earlier, if the surrounding buildings are demolished, that should not detract from the building's greatness. |
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Design isn't about just one building anyways, it's about a vernacular. 99% of all Roman buildings constructed in the history of Rome are partially or completely demolished. Yet their design vernacular and vocabulary dominated all of Europe and the Mediterranean for millennia and continued to influence design trends in far flung places like the United States as recently as 100 years ago. To a certain extent their vernacular is still a force to this day. So who gives a shit if all that is left of the Temple of Saturn is a few columns from the portico? Who cares if the forum itself is obliterated except a few chunks of its foundation? The ideas live on and are replicated over and over again. If in 2000 years people are still building square buildings with lots of cascading setbacks because "that's how they built them in ancient Chicago" then that's a resounding design success. If we are building similar buildings 50 years after the Sears went up, that's also a design success. One of the wonderful parts of Chicago's hallowed design heritage is just how omnipresent the aesthetics and philosophy and engineering of our own little civilization has become. When the product of your society becomes so commonplace that the greatest criticism of it is its ubiquity, then you have succeeded. I see no reason why we shouldn't continue to follow that design school especially given the fact that, unlike Dubai, China, NYC, etc, Chicago continues to be a place highly constrained by economics. A place where highrise design is practical, but must be austere and conservative to succeed. Let everyone else build "statues of bugs humping each other" as I believe TUP put it. In Chicago we will continue to refine Modernism and adapt the simplicity and efficiency to successive generations of construction. We can leave the construction of the "1 Dildo Place" type buildings to everyone else. What you see as a failure is merely an affirmation of our vernacular, may we see 500 more giant square buildings with nice glass and details and plenty of setbacks. |
The exact thing that makes the Chicago skyline so cool is that it is like a city composed as one giant sculpture.
Walking to Soldier Field today :( I noticed how well NEMA adds to it. |
I do like this tower a lot but I often get the feeling that Vinoly gets lucky rather than is actually a great designer and architect.
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it did look good on tv a couple of times during the game. I didn't screen-shot it
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FLW would not be known as such a mensch of design if it were just about ONE of his buildings. In fact, he could never have achieved his most spectacular innovations if not for repeated attempts at perfecting his vision. It's indisputable that FLW's greatness is a result of the vernacular he created and that vernacular is, as I said, a result of thousands of variations on the theme each one advancing his vision only marginally. But look beyond his direct works and consider the effect his designs had on our culture. Literally decades of construction echoed what he did or used some of the best elements of it. THAT is indicative of good design and, though it undoubtedly drove Wright himself nuts, imitation is the greatest form of flattery. Projects like Falling Water and Robie drove an entire generation of suburban design. To this day the themes of his work reverberate through new construction designs. I was just driving through a new subdivision some inlaws of mine bought in in Iowa over NYE and noticed all the lamps, windows, and detailing were unquestionably Prairie Style more than 110 years after Robie House was completed. FLW succeeded, he created a truly American aesthetic. He could not have had that success without spawning an entire design vernacular that persists in our culture. Now is the subdivision in Iowa as hallowed as Robie House? No, but it doesn't need to be. The same applies to OGP, does it need to be sacred like Sears? No, but it's a damn fine building that may come to be appreciated in much the same way in the future for it's own merits and contributions to the incremental progression of design. |
bears talk moved to the general discussions thread: https://forum.skyscraperpage.com/sho...d.php?t=208431
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Lets do this conversation without any architect / design language and discuss the reality of the design.
Unless you are building an ultra-luxury condo / Landmark office / public facility (University/event space/hospital/etc) you are not going to have the budget or the inefficiency of space use (eg. wasted space on weird floorplates / dead zones) that would allow something groundbreaking and different. This project was built in the context of building a typical high end apartment building. To build these, as you must know as an architect, you are in a battle of efficiency to get it to pencil for a developer. You dont have much room to deviate. So within that context you are left with a lot of glass boxes of varying sizes with slightly different glass colors and minor detailing. In my view what Vinoly did is take a highly efficient but distinct design of "bundled tubes" (even if thats not the structural system) that maintains all the efficiency of typical apartments but creates something more iconic / distinct. Yes its just a copy and not groundbreaking but it is different / better than the alternative. I guess my TL:DR is just this isnt high design. Its apartment boxes and we will take what we can get when someone can do something even slightly different. Also for the 2nd tower. Its in the central station PD, but its still within the downtown zone so buying FAR would be easy. And while there are unit limits for the PD, I would be shocked if any mega-PD like Central Station actually hit their limit. Like LSE has more than enough units, they will run out of density before they run out of allowable units. |
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