Most people in Chicago can name a few architects. I'm sure someone will accuse me of bias, but I rarely meet anyone here who hasn't at least heard of Gang. Chicago is probably a bit of a special case because people make such of a big deal of architecture here and are constantly going on boat tours, but most people that I talk to (and I talk about buildings A LOT) have at least some rudimentary knowledge of the topic and have a rudimentary awareness of Sullivan/Wright/Mies.
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Originally Posted by vandelay
(Post 7718473)
It's more accurate to say that RAMSA buildings are building off of the prestige of older buildings, admittedly and by design, but there are no other architects that are carrying on that tradition at that level or scale.
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That's the thing though, they aren't "building off the prestige" of older buildings. They are aping them without adding any value. RAMSA is literally just stealing design motifs from nearly a century ago and cramming modern layouts and amenities like large windows into them. That is not building off of anything, that's bastardizing it.
Also, tradition? What "tradition" of Art Deco are you talking about here? Art Deco was a style that typified basically one decade of extreme economic exuberance and technological progression. It was heavily driven by the idealism and experience of that era. There was no Deco before it and, I would argue, no Deco can be built after it. Unless of course we somehow revert to an era of ocean liners, steam engines, and the invention of film and radio. I can see people making this argument for Neo-Classical design, but Deco? No.
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The important distinction is that working from those luxurious old buildings designed by brilliant architects allows RAMSA to incorporate what makes those buildings so desirable in the first place, the components of what is considered graceful apartment living.
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Graceful apartment living? Deco wasn't even really a residential style, most Deco buildings are retail or commercial. Also, "graceful apartment living" was not a hall mark of the era nor does the interior of a RAMSA building have anything in common with anything built before WWII except a few FLW houses that radically proceeded the design standards of the second half of the century. If you consider cramped, tiny bedroom, tiny kitchen, tiny bathroom, chopped up victorianesque spaces to be "graceful apartment living" then yes, that's what made those buildings "so desirable in the first place". But that's the exact opposite of the interiors being provided here. What RAMSA is actually doing is wrapping a Mies apartment block in precast faux deco cladding. This building has far more in common with Mies than any Deco design from a layout standpoint. When Deco was in style the only person building layouts like this was FLW. Show me a single prewar apartment with a layout like this and I'll cede this point:
http://onebennettpark.com/wp-content...7_120516-1.svg
onebennettpark.com
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Unfortunately contemporary architecture tend to focus more on exterior ostentation at the expense of interior livability.
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And apparently you don't like contemporary design because you fundamentally don't understand it. This is literally the opposite of what is in vogue today. Radically contemporary architects like Rem Koolhaas take designing around the interior to the extreme. They literally outline their program requirements and then just stack them up in the most efficient possible orientation without regard to old school aesthetic rules that bind older styles like Mies' box or the streamlining of Deco. That's why you get buildings that seem very flashy from the outside, they are just a jumble of different uses where the exterior shell just wraps the use, it doesn't bind or constrict the use. Gang is an excellent example of this.
Take a look at her U of C dorms on her website. It outlines where the seemingly random or arbitrary shapes of the 3 buildings come from. It's all driven by the requirements of the university's house system and the common area uses like dining halls in the base. Each building is divided up into three story layers on top of a common area base. Every three stories is a house and then that layer is divided into pods. Each of those pods contains a series of stepped back shared spaces around a cascading three story atrium. The living quarters are all oriented around the shared areas. The exterior comes last, but even the angular dynamic facade is reflecting the stepped interior orientation of the pods. The site plan is influenced by the layout of a classical university quad bent around the paths of least resistance to pedestrian traffic (we've all seen how formal quads develop informal pathways where they don't reflect the shortest route from dorm to class). None of that has to do with just making outlandish wild exteriors for the hell of it.