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  #1021  
Old Posted Aug 8, 2009, 7:07 PM
kaneui kaneui is online now
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After the main entrance is moved to the east side, the hotel should begin construction in March, the TCC expansion in May, and the adjoining parking garage in June--with all projects completed by June, 2012:



Convention center revamp to start next month
Inside Tucson Business
August 07, 2009

Work continues to move forward on renovations of the Tucson Convention Center and a new 26-story convention hotel. The project’s developer told the City Council Aug. 5, work a new east entrance to the convention center is due to start in September and be finished in January before the start of the next Tucson Gem and Mineral Show in February.

Plans for the other portions of the project should be finalized next month, preceding a cost and financing plan. Preliminary estimates put the construction cost at $240 million. City leaders say the project is a necessary component in the Rio Nuevo downtown revitalization plan because it will allow the city to compete for conventions in order to bring in the tourist dollars. The entire project is scheduled to be completed by 2012.
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  #1022  
Old Posted Aug 8, 2009, 7:15 PM
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So the other day, I noticed that other cities and older pictures of Tucson had signs with the business name that stuck out from the building. It makes it easy to look down the street and see what business are ahead if walking down the sidewalk or driving down the street, as opposed to flat against the building. Asthetically, I think it looks better and easier to locate businesses. Im wondering why this isnt done anywhere downtown except for maybe the Fox Theatre sign.
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  #1023  
Old Posted Aug 8, 2009, 7:52 PM
kaneui kaneui is online now
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Quote:
Originally Posted by dintares View Post
So the other day, I noticed that other cities and older pictures of Tucson had signs with the business name that stuck out from the building. It makes it easy to look down the street and see what business are ahead if walking down the sidewalk or driving down the street, as opposed to flat against the building. Asthetically, I think it looks better and easier to locate businesses. Im wondering why this isnt done anywhere downtown except for maybe the Fox Theatre sign.
^I'm sure it has to do with the city signage requirements, etc. Flagstaff was similar until they did a revamp of their downtown, which then encouraged the type of signage you are suggesting:


(photo: Flagstaff Chamber of Commerce)



A render and photo of the new "Parisian plaza" going in just north of Hotel Congress:





(render, photo: Inside Tucson Business)
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  #1024  
Old Posted Aug 10, 2009, 1:52 AM
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Some major cost overruns for the 4th Ave. underpass and Cushing St. bridge along the new streetcar route:



The city bid the project using a "construction manager at risk" method,
or selecting contractors based on qualifications without regard to cost.
(photo: Kelly Presnell)


4th Ave. Underpass rises to $46M
For six years, city did not reveal additional $15M

By Rob O'Dell
Arizona Daily Star
08.09.2009

The new Fourth Avenue Underpass connecting downtown to Fourth Avenue will open in two weeks to some sticker shock: a previously undisclosed cost of $46 million. City estimates throughout the past six years have never put the cost higher than $31 million — although the city now acknowledges its wasn't revealing the entire costs for the past six years. The city's $31 million budget included only actual construction — it left out $15 million in other costs associated with the bridge. Not previously disclosed: $2.8 million for designs that were scrapped; $3.7 million for the current design; $1 million for design work that needing fixing during the construction process; $2.3 million for city staff time, inspections and testing; and $5 million for "incidentals" such as public art, relocating railroad tracks and moving some utilities.

The total bill once all costs are disclosed: $46 million. Most of the cost was paid by Tucson's share of state gasoline tax money, and the rest came from the Regional Transportation Authority, said City Transportation Director Jim Glock. The city also overshot construction costs, going from a $26 million "guaranteed maximum price" to $31 million. That $31 million is the same cost as an earlier bid for a duel-underpass design that was scrapped as too expensive in 2005 after $2.8 million in design work. Also included in the $46 million is $4 million in add-ons requested by the city's Rio Nuevo redevelopment agency, which the Transportation Department covered because Rio Nuevo is out of available money. Rio Nuevo had originally requested $5 million in improvements, but Glock said he was able to cut out $1 million.

Using city general-fund money for Rio Nuevo requests was a driver in the City Council's firing of City Manager Mike Hein in April. Mayor Bob Walkup said the opening of the underpass should be reason for a celebration. He acknowledged the $46 million cost, but said the city's construction budget was on target, adding he didn't consider design costs part of the budget. Walkup said the added cost to pay for Rio Nuevo-requested changes was "appropriate." "We got a lot of value for the money that we spent," Walkup said. "I'm pleased with the outcome. It was money well-spent."

The city bid the project using the "construction manager at risk method," which selects contractors based on qualifications without regard to cost. The city later gets a "guaranteed maximum price" from the contractor — but that maximum can be easily increased by issuing change orders. The same process was used for the Cushing Street Bridge, which has also experienced delays, redesigns and cost increases, and for the $9 million Scott Avenue/Congress Street Infrastructure Project, originally estimated at $6 million. (See related story on Cushing Street on Page A1.) Glock said the city used that builder-selection process to get the underpass going quickly, selecting Sundt Construction Inc. and starting construction even though the design was only 60 percent completed. That led to at least $1 million in extra design costs, he said. "We probably should have waited until we were at 90 percent, but we were in a rush to get done," Glock said.

For the Cushing Street Bridge, the city also selected Sundt, on designs that were only 30 percent finished. Penny Cobey, an expert in construction law with the firm McKenna Long & Aldridge in Los Angeles, said she was surprised the city went forward with projects when designs were that incomplete. Cobey, who has worked on construction contracts for 26 years, said hiring contractors on qualifications without regard to price is unusual and isn't allowed in many states, although it is in Arizona. However, she said the bidding process isn't the necessarily the culprit, as much as the people running it. A "construction manager at risk" process, which includes cost controls, is used by the most sophisticated cities or owners for the most complex projects. If the traditional design-bid-build contracting is the four-door sedan of government contracting, Cobey said, the "construction manager at risk" process is the Maserati. If someone not sophisticated enough to drive the car crashes it, "It's not the fault of the Maserati," Cobey said.



_____________________________________________________________________________





Costs soar for bridge's 4th redesign
Original design could cause flooding; price tag jumps from $6M to $10M

By Rob O'Dell
ARIZONA DAILY STAR
08.09.2008

A bridge to extend Cushing Street over the Santa Cruz River was supposed to cost $6 million and be open next month. Now it will cost more than $10 million and may not be completed until 2012. The bridge, approved by the City Council in 2006 to connect downtown to the west side, is being designed for the fourth time at a cost of $600,000, on top of $1 million already spent on earlier designs. Previous designs would have caused water backup and flooding upstream. Although one of the eight contractors bidding to build the bridge warned the city about the flood potential, the city awarded the job to a company that agreed to build it as designed — only to recognize after the fact that the warning was accurate.

In fact, one member of a city panel ranking the bids gave up to 35 points on a 25-point question to four firms that agreed to build the bridge as designed. The city said it was an administrative error that didn't affect firms' rankings, although the four companies that got the extra points were the same four that made the short list of bidders.It's a moot point now anyway, because even the winning bidder is out. The project has taken so long that the Rio Nuevo downtown redevelopment district, which secured legislative authority to collect an extra $500 million in sales taxes in 2006, has since committed all the money to other projects and doesn't have enough left to cover the higher bridge cost. So the city is trying to get the federal government to foot the bill.

But federal guidelines don't allow the bidding and procurement process used for the bridge, forcing the city to terminate its contract with Sundt Construction — paying it $57,000 in preconstruction costs — and rebid the project. And even though the new design will reduce the water backup caused by support pilings placed in the river bottom, there could still be some damming effect, forcing the city to undertake two lengthy federal permit processes to build the bridge. One permit is required from the Environmental Protection Agency and one from the Federal Emergency Management Agency. If everything goes right, City Transportation Director Jim Glock said, construction could begin in late 2010 and be completed by early 2012. If the city misses that mark, it could impact the planned modern streetcar, which is supposed to access Rio Nuevo's museum district on the west side of the Santa Cruz via the bridge starting in 2012.

Four bridge designs
A team of designers led by AMEC Infrastructure Inc. began work in early 2007, shortly after the City Council approved $6 million for the bridge. The target date to complete the project was September 2009. But Mike Hein, then city manager, and Rio Nuevo officials rejected the group's first, basic design as "not elegant enough," Glock said. Hein and Rio Nuevo officials wanted a bridge with arches and trees to create "a grand boulevard from the Tucson Convention Center to Rio Nuevo West." The addition of the arches and the trees, and modifications required to support the extra weight, "drove the costs up exponentially," Glock said, from $6 million to $12 million — costs Rio Nuevo may have been able to cover at the time.

The killer problem, discovered further along in the design process, was that pilings large enough to support the extra weight of arches and trees could trap debris in a major storm and flood properties upstream all the way to West 22nd Street. The city would have needed flood walls on the Santa Cruz River, Glock said, which would have run the cost up to $16 million. As a result, the city designed the bridge again. But FEMA and the EPA still require federal permits because, although the new design reduces the potential for water backups, it doesn't eliminate the problem. That will delay the project for a least a year. Glock said the city will have a fourth design, to eliminate the trees and bring the construction cost under $10 million. He hopes to add no more than $600,000 to the already $1 million in design costs.

Hiring a builder
The city hired Sundt to build the bridge in mid-2008, using a process called "construction manager at risk," where builders are picked on qualifications without regard to cost. Eight builders competed. One, Hunter Contracting Co., warned there would be problems with flooding on the Santa Cruz, and the bridge's design would cause costs to explode. Hunter suggested a different design, but decision-makers graded it among the lowest of the eight bidders. In ranking them, Bill O'Malley, then Rio Nuevo construction manager, gave more points than allowed in the experience-and-qualifications category to four of the seven bidders who signed off on the city's design. O'Malley, who is no longer with the city, rated Hunter's proposal the lowest of the eight. He didn't answer questions about his ratings.

Matt Hausman, the city's principal contract officer, said the extra points were his administrative mistake, adding they did not affect the outcome. Todd Jackson, a project manager with Hunter at the time, said the city simply had its mind made up on the design. Jackson is no longer with Hunter and said his comments shouldn't be seen as coming from the company. Others involved in the bidding process refused to comment. Jackson said the city picked a firm to build its preferred design with no regard to price. And builders agreed to do what the city wanted to win the contract, he said. "We told them what the real issues were … to help them solve their problems," Jackson said. "They didn't want to hear it." The new bid procedure must include cost controls to qualify for federal funding.

More delays
Because it takes so long to get the permits required by the EPA and FEMA, city officials said everything will have to go right to finish in time for the streetcar in 2012. According to e-mails in the city's procurement files, Cushing Street Project Manager Mo El-Ali told the bridge designers he was "shocked and disappointed" about needing a FEMA permit because it "has tremendous schedule implications that can't be easily repaired." City Manager Mike Letcher, who was not in charge of Rio Nuevo during the initial bidding process, said the focus should now be on getting the bridge built on time for the streetcar in a manner that's "as cost-effective as possible." With Rio Nuevo stripped of its staff, Glock is now in charge of the project. Glock "understands the critical nature of getting this done in time for the streetcar. He's given me assurances it will be ready," Letcher said.

Cushing Street Bridge Timeline
• Dec. 2006: City Council approves $6 million for the Cushing Street Bridge as part of a larger spending package for the west side. Opening planned for September 2009.
• May 2007: The city hires AMEC Infrastructure Inc. to design the bridge.
• March 2008: City Manager Mike Hein and the Rio Nuevo office declare the first $6 million bridge design not elegant enough, causing it to be redesigned.
• April 2008: City unveils second design, with estimated cost of $12 million, complete with trees and arches. Says construction will begin within one year.
• July 2008: City learns new bridge design will cause upstream flooding on Santa Cruz River, triggering federal permitting process. City decides to move forward despite flooding, and costs escalate to $16 million.
• Oct. 2008: City approves contract with Sundt Construction to build the design with trees and arches.
• Jan. 2009: City puts the bridge on wish list for federal stimulus money twice, once for $12 million and once for a $16 million deluxe version.
• April 2009: City designs bridge a third time, but cannot totally eliminate flooding risk. Federal government still requires permits for effects on river.
• July 2009: Seeking federal money, the city terminates Sundt's contract because federal rules do not accept the city's procurement method. Bridge to be designed for a fourth time and construction contract rebid.
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  #1025  
Old Posted Aug 10, 2009, 9:02 PM
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Its funny, in the newest issue of Zocalo, it states that 4th avenue underpass is right on time and on budget. Shortly after, articles come out stating they went beyond their budget.
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  #1026  
Old Posted Aug 12, 2009, 7:59 PM
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Beowulf Alley Theatre could be restoring its original Art Deco exterior, replacing either the Rialto Block or Wig-O-Rama in the city's façade restoration program:



Design of Beowulf Alley Theatre's new façade



Beowulf Alley today, near Broadway and 6th Ave.
(render, photo: www.tucsoncitizen.com)



Beowulf Alley Theatre launches capital campaign for façade redo
by Donovan Durband
http://tucsoncitizen.com/downtown/
August 10, 2009

A few weeks ago I noticed an appeal on Facebook from Beowulf Alley Theatre Company to contribute to its new capital campaign for façade renovation. Always pleased to see Downtowners working to help themselves, I made a small donation to the cause through a program called “Cause”, and emailed Beth Dell, the Managing Director at Beowulf, to learn more. It was clear that Dell wanted to be proactive, self-reliant, and to make Beowulf’s theatre, which occupies what was once the Johnny Gibson Gym Equipment Company, an attractive feature on 6th Avenue in Downtown. “A few weeks ago, I decided to go about this on my own because it’s really important to me to see us grow and cleaning up the front of the building for our 5th anniversary on 6th Avenue,” says Dell. “It would not only help us but will also make a difference in the Downtown appearance, too.”

Just today, a Facebook announcement from Ms. Dell confirms what she told me a few days ago, that Beowulf has been selected by the City of Tucson to receive a façade renovation matching grant. It seems that her and Beowulf’s initiative is being rewarded. Last year, Beowulf was among eight semifinalists for funding from the Downtown Façade Improvement Program, but was not among the four selected for the first round of grants. Two projects are under construction through the program: The Screening Room marquee on Congress and the office building at the corner of Scott and Broadway. Also awarded grants: the Rialto Block project and the Wig O Rama building at Scott and Congress. Dell was informed that one of the latter two projects has dropped out, leaving some funding available to Beowulf as a replacement project.

“I’d like to try to raise the full $10,000 to do the original façade plan,” she told me last week. “If I can do that, the Gibson’s (Johnny Gibson’s family, which still owns the building) seem willing to offer their original commitment of $15,000, and we have an in-kind commitment of $5,000. The City would match these dollars with $30,000, and our $60,000 renovation would make a huge difference in the outside appearance of the building as well as attract a whole lot more attention to help us grow and expand our service to the community.” “I am not really good at making appeals but I am sure excited about this.” Dell has raised just shy of $1,000 through the Facebook appeal and from a few others who didn’t want to contribute through the “Cause” page.

Dell seems giddy, grateful, and proud at the same time. “It’s almost as if we were meant to be here to have this phone call (with the news of the grant). We’ve spent the past season building many new programs and have more planned for the fall. Our commitment to the community is strong and many performing artists have benefited from our being here. We’ve doubled our season subscribers, had a huge increase in single ticket sales, added both youth and adult education classes, late night and lunchtime theatre programs and started a program for playwrights to have their plays read. This fall, our new season has many new local directors, actors and technicians added to our roster. All of this meets our mission of creating a community of theatre where our home-grown artists can come to create.”

Beowulf has a design for the refurbishment of its Art Deco-style façade, drawn up by local architect Bob Vint. Beowulf’s 2009-2010 season features six productions, leading off with Seascape, by Edward Albee, September 26 to October 11. November brings Rabbit Hole, by David Lindsay-Abaire (November 7-22). Sam Shepard’s Fool for Love runs January 16-31, 2010, followed by Flaming Guns of the Purple Sage, by Jane Martin, February 27-March 14; Last of the Boys, by Steven Dietz, April 10-25; and The Vertical Hour, by David Hare, May 29-June 13. Significant donations to the façade renovation campaign will receive 2 season tickets.

For more information on Beowulf’s programs and upcoming season, visit www.BeowulfAlley.org or call 520.622.4460 (administrative office), or 520.882.0555 (box office). To contribute to the facade renovation campaign, go to Beowulf Alley Theatre Company’s “Causes” page on Facebook.
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  #1027  
Old Posted Aug 13, 2009, 8:59 AM
kaneui kaneui is online now
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The new Cushing St. (formerly Clark St.) underpass built by ADOT was funded with $9M from Rio Nuevo to accommodate the new streetcar line, whose western terminus will eventually reach Avenida del Convento and W. Congress St. by 2012 (once a less costly bridge over the Santa Cruz River is designed and built):



Cushing Street’s wider, brighter I-10 underpass set to open
August 11, 2009
By Teya Vitu
http://www.downtowntucson.org/

The second half of August will be the season for new downtown underpasses. Along with the new Fourth Avenue underpass, a new Cushing Street underpass will also open under Interstate 10 by the end August, Arizona Department of Transportation spokeswoman Linda Ritter said. The Cushing Street underpass links the two freeway frontage roads and provides direct access from the Tucson Convention Center to the Riverpark Inn. It will especially come into play in February as gem show visitors park in the TCC lots to go shopping on motel row along the frontage road. Ultimately, the underpass is envisioned as the gateway to the now indefinitely delayed Tucson Origins museum complex and the Mercado District of Menlo Park housing development. The proposed streetcar to link the University of Arizona to downtown and the West Side is aligned to travel through the underpass.

The underpass has changed name and personality since closing for freeway widening work in 2007. The Clark Street name was changed to Cushing so that the same street name continues from the TCC through the underpass, onto the proposed bridge over the Santa Cruz River and into the Origins complex. The Cushing Street underpass is 225 feet wide, with 20-foot-wide sidewalks on each side and plenty of daylight streaming in. Narrow piers divide the underpass into two 70-foot wide sections and an 85-foot-wide middle section, where space is dedicated for streetcar tracks. “It does not have a tunnel feel anymore,” Ritter said. The old underpass had two 40-foot wide spans separated by thick pillars with sidewalks barely three or four feet wide. “The old one used to have a feel of a tunnel,” Ritter said. “The piers were solid, obstructed the view, and it felt very narrow. Now the way the piers are there is a feeling of openness.”
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  #1028  
Old Posted Aug 15, 2009, 10:50 AM
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After a $550,000 restoration facelift, the Santa Cruz Catholic Church at 1220 S. Sixth Ave. is reopening on Saturday, August 15. The 1919 Spanish Colonial Revival structure, resembling a convent in Ávila, Spain, is the largest spanned adobe structure in the Southwest:



(photo: Santa Cruz Parish)


Santa Cruz church restoration nears end
By Carmen Duarte
ARIZONA DAILY STAR
07.26.2009

Brother Salvador Roman is giving new life to 20 religious statues that have graced the historic Santa Cruz Catholic Church for nearly 90 years. In February, he began cleaning and restoring the statues that were made by the Daprato Statuary Co. of Chicago and New York, which was founded in Italy in 1860. The artistic legacy continues at the company known for its design and manufacture of church art decor and stained-glass windows. Roman, of the Order of Discalced Carmelites, is cleaning and sanding wood, mixing colors and putting on finishing touches on the plaster images that have touched thousands after the church was established in 1919 in the Roman Catholic Diocese of Tucson.

The church, which is on the National Register of Historic Places, closed in February for a $550,000 restoration project being done by Camwest Group, Inc. The work includes a new roof, an air conditioning system, interior lighting, flooring and painting. The funding was raised through benefactors, donations, grants and events. The flooring will be done in phases and is expected to be completed next year with a $58,000 grant from the Koch Foundation based in Chicago, said Ralph B. Lares, Santa Cruz's business manager and director of stewardship and development. A celebration with organ and mariachi music is set for Aug. 15 with the reopening of the church for a 5:30 p.m. Mass followed by a fiesta in the parish hall.

Meanwhile, Roman continues restoring the saints for the church and its celebration. He studied under Brother Claude Lane, an iconographer, in Mount Angel Seminary in St. Benedict, Oregon. He also does research online and worked with Czerina Espinosa, a parishioner who restores statues. "Some of the images are 6 feet tall and it takes four men to carefully move them," said Roman. "I have mixed emotions about my work. I feel honored, proud and grateful to be able to lend my talent. I learned quickly that you need a lot of patience with this type of work. You can't rush it," he said. "People have come and prayed for years in this church. They pray and have grown closer to God because of the representation of the saints. I feel proud that I can say I have helped them a little bit in their spiritual life," said Roman.

Among the statues are Our Lady of Mount Carmel, St. Teresa of Ávila, the main crucifix with the Blessed Mother and St. John, St. Vincent de Paul and the angels. There also is St. Peter, St. James, St. John of the Cross and Saint Theresa of the Child Jesus, also known as St. Theresa the Little Flower. As the church is undergoing restoration, the statues were stored in the diocesan archives on the property of St. Ambrose Church, 300 S. Tucson Blvd., and will be returned and put up on wall pedestals and at the main altar before the refurbished pews are installed.

Last week, painter Ramón Luján said he feels privileged to be a part of the renovation. "I have come to this church for about 25 years and I love the architectural style. All the saints add a special feeling when you pray," he said while standing on a ladder inside the empty church. Parishioner Annie López, who turns 79 the day before the church reopens, said the soon-to-be-completed renovation is "the best birthday present." The church celebration will be led by Rev. Bernard Perkins, the pastor, and among the invited guests are former priests who were assigned to the parish and priests from the Order of Discalced Carmelites in Redlands, Calif. This celebration will take place on the Feast of the Assumption of the Blessed Virgin Mary.

Pieces of the old wooden trusses that supported the roof will be given to parishioners as a keepsake at the celebration, López said. "The fundraising for this renovation began about four years ago by parishioners, and it now is being supported by the community," said Lares. "People who attended this church as children and now belong to other parishes have come back to help raise funds for their church. It has become a work of love," said Lares, who spearheaded the fundraising efforts. Next year, parishioners will continue working to raise $100,000 to paint the outside of the church and then start working on a $7 million capital campaign to restore the school and the parish's St. Anthony and Our Lady of Guadalupe chapels.
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  #1029  
Old Posted Aug 16, 2009, 12:05 AM
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El Presidio neighborhood residents have had a downtown graffiti art wall repainted as a mural more to their liking--a project partially funded by the city of Tucson:



The original work was created as part of the Winta Fresh event in late December.
But nearby residents were outraged by the mural work, which was done by graffiti-art students.
(photo: Mamta Popat)




Rocky Martinez applies finishing touches to a redone mural now depicting
a desert landscape. Originally, it was a collection of graffiti art.
(photo: Greg Bryan)

(for more photos: http://www.azstarnet.com/sn/byauthor/305043)



Downtown wall that stirred furor redone with less-strident imagery
By Rob O'Dell
ARIZONA DAILY STAR
08.15.2009

The wall next to the Tucson Water building, where a graffiti mural sparked outrage from neighbors earlier this year, is being painted over by a group of spray-paint artists similar to those who did the first mural. However, this time the graffiti mural is not controversial. The city-sponsored graffiti art class has been repainting the mural with images acceptable to the city and to residents of nearby El Presidio Neighborhood.

The first mural was painted in late December during a festival called Winta Fresh, which was put on by Rocky Martinez, who also teaches a graffiti-art program for the city called Arts in Reality. Although the city did not directly pay for the Winta Fresh event, many neighboring residents were outraged by the images on the nearly block-long, city-owned wall, which they said looked like trashy boxcar graffiti. In addition, some were outraged that the city paid for graffiti classes at all. To make things right, Martinez and his class held several meetings with the neighborhood, the Tucson Museum of Art and others to design a mural that would be more acceptable.

Tom Pashos, an El Presidio resident, said the mural's new focus, to paint some of the history of the area, including nearby homes, was much more acceptable. However, he said a small portion of the original graffiti mural that was painted by a famous out-of-town graffiti artist will not be painted over. The city's Arts in Reality class, funded in part by $8,000 from Councilwoman Regina Romero's discretionary funds for youths, is painting the new mural. Much of Romero's $8,000 will go toward the new mural, which is on a wall adjacent to the Tucson Water building, just off North Granada Avenue and West Alameda Street.

Romero said the new mural evokes the Sonoran Desert and other elements of Ward 1, which she represents. "From a misunderstanding and a bad situation, they turned a bad situation into something really, really good," Romero said. Romero also said she wants the Arts in Reality program to create a public-service announcement where youths teach other youths that aerosol art is good but not if it's done illegally without permission. We want to show them "illegal graffiti is not cool, but art is, especially when you follow all the rules." The new graffiti mural will be unveiled Aug. 25 during a celebration in the adjacent parking lot, from 5:30 to 7:30 p.m.
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  #1030  
Old Posted Aug 17, 2009, 1:45 AM
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While Rio Nuevo's future leadership remains in limbo, their Rialto Theatre has been given a two-week reprieve by landlords Stiteler and Martin to remain in their disputed space:


Rialto, developers agree to 2-week extension
by Donovan Durband
August 16, 2009
http://tucsoncitizen.com/downtown/

The Rialto Theatre Foundation and Rialto Block Project LLC (Don Martin and Scott Stiteler) have reached an agreement that will allow the Foundation to continue to occupy the so-called “Green Room” and office building at 211-215 E. Broadway Blvd., as well as the storefront bay at 316 E. Congress St., adjacent to the theatre lobby, until September 1, 2009. A release dated August 16 quotes Scott Stiteler, expressing hope that the two parties can come to an agreement “regarding a permanent resolution of matters related to the Theatre’s needs for space.” The announcement gives the Rialto Theatre Foundation two weeks beyond an August 18 deadline to use the properties while it continues to negotiate for a longer term lease. A judge had given the Foundation until August 18 at a July hearing that was held to determine if Stiteler and Martin could evict the Foundation from the spaces then.

While the spaces in question are owned by Rialto Block Project LLC, the theatre itself is owned by the Rio Nuevo Multipurpose Facilities District, whose board of directors has been involved in the negotiations. The Rialto Theatre Foundation operates the theatre on behalf of Rio Nuevo. The Foundation has used the spaces for free but has expressed willingness to pay rent. The two parties have not yet agreed on a lease term, and there does not seem to be a shared vision of the long-term space needs of the theatre or the relationship between the theatre and the rest of the block. Nor does there seem to be a shared vision of the relationship between the Foundation and its landlord, the City of Tucson/Rio Nuevo, a circumstance that is very puzzling.

Rio Nuevo and the City of Tucson, for which Rio Nuevo is a proxy, have an inherent interest in protecting their asset, one of the few completed projects in Rio Nuevo. Rio Nuevo and the City also have an interest in fostering private-sector investment and development in Downtown, which means they don’t want to chase off Stiteler and Martin. This apparent dilemma need not play out as if Rio Nuevo had to choose sides. Nonetheless, the theatre itself is a unique National Register asset, and Rio Nuevo has a compelling rational interest in seeing this asset protected and enhanced. From an outside perspective, however, there appears to be a reluctance to demonstrate leadership in protecting one of Rio Nuevo’s four completed projects.
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  #1031  
Old Posted Aug 17, 2009, 6:59 PM
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Remember Thursday is the reopening of the 4th Ave underpass. Anyone going?
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  #1032  
Old Posted Aug 17, 2009, 10:11 PM
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Im definantly going and bringing the camera along, It starts at what time again?
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  #1033  
Old Posted Aug 17, 2009, 10:25 PM
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^ From 4 to 10 pm. Remember, it'll be a pretty large event with events at Main Gate, 4th Ave, and downtown.

I'm going. No camera but I'll be there.
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  #1034  
Old Posted Aug 18, 2009, 3:57 PM
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Are they starting train service on Thursday too?
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  #1035  
Old Posted Aug 18, 2009, 8:03 PM
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^Yes the trolley is running and they are giving free rides all day. Does anyone know if the little park behind Congress is going to be finished that day also? Last I heard it was opening that day too.
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  #1036  
Old Posted Aug 19, 2009, 10:10 PM
kaneui kaneui is online now
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Quote:
Originally Posted by dintares View Post
^Yes the trolley is running and they are giving free rides all day. Does anyone know if the little park behind Congress is going to be finished that day also? Last I heard it was opening that day too.
^It should be ready, according to Richard Oseran, although I believe most of it will be for Cup Cafe patrons. And the view from the webcam shows that the adjacent small parking lot has been paved and striped, so it's probably a go for tomorrow.

http://www.transview.org/cams/LiveViews/east.htm
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  #1037  
Old Posted Aug 20, 2009, 3:32 AM
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With TIF revenues in a slump and the December bond money spent, Rio Nuevo is using general fund dollars to keep the TCC expansion and new hotel moving forward:



Rio Nuevo is forced into fund shift to pay for hotel's design
By Rob O'Dell
ARIZONA DAILY STAR
08.16.2009

The city's Rio Nuevo redevelopment district is being forced to take money from the taxpayer-subsidized Tucson Convention Center to pay for the design of a new convention center hotel. The fund shift is necessary because all the money from the city's $80 million bond sale last December is gone. The city sold the TCC to its Rio Nuevo redevelopment district in 2002, and leases the facility back from the district for $3.7 million a year. Rio Nuevo uses the lease payments to pay off the debt issued to buy the center.
Money to underwrite the hotel design will come from those lease payments. The City Council, which has final authority over Rio Nuevo, has approved using the $3.7 million lease payment to refinance $11 million in existing bonds and add another $9 million in money to pay for the final design of the hotel and for a new entrance to the TCC. The entrance is needed so the hotel can be built next to it.

The city also hopes to use the lease revenues to eventually finance a $33.5 million expansion of the TCC later. The final design for the hotel is estimated at $12 million, while the new entrance to the TCC is estimated to cost $4 million. About $7 million needed for the hotel will come from a December bond sale that came under fire because the bonds were put on the market when interest rates were high, partly to forestall the state Legislature taking the money back. But the money from the sale is all but gone once that $7 million is used, said Finance Director Sylvia Amparano. "There isn't any money left from the bond proceeds for a master developer (for the TCC) or a new TCC entrance," Amparano said.

The city pays an annual subsidy of $1.3 million from the taxpayer-supported general fund to supplement TCC-generated revenues used to pay for the operation. Now, instead of financing Rio Nuevo's purchase of the TCC, a portion of the money will go to the new convention center hotel, as well as the TCC expansion. Council members said they support jump-starting the convention center hotel, and added that they either didn't know or weren't concerned about the general-fund subsidy going toward Rio Nuevo projects. Mayor Bob Walkup said the city is "moving ahead smartly" with the hotel, and the TCC leases payments are a "revenue stream that is already in the budget." Although Rio Nuevo is out of bond money, Walkup said the bond sale was "absolutely a success" and the expenditure of the money was "exactly why we went out and bonded."

Councilwoman Nina Trasoff said the city had intended to use all the money from this bond and then issue several more. But she said the economy crashed and the Legislature threatened to end the Rio Nuevo district or reform it substantially. Trasoff said she didn't know about the subsidy, but said the "bottom line is we have to find a way to move forward with the seminal project downtown." Councilwoman Regina Romero said she was concerned about the long-term impact of the hotel project on the city's general fund, but added that she wasn't concerned about the TCC subsidy from the general fund because it was an existing revenue stream. "The money has been budgeted for the TCC," Romero said of the subsidy. "We're not using any more money than what has been budgeted."
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  #1038  
Old Posted Aug 20, 2009, 3:59 AM
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Day fades to night as diners visit Maynards, at the
Historic Train Depot, 400 N. Toole Ave.
(photo: David Sanders)



Dining, clubbing in city's center
As the underpass opens at last, we dig into downtown's mushrooming restaurant, nightclub scene
http://www.azstarnet.com/sn/aznightbuzz/305486
08.20.2009

As a couple hundred people waited last Saturday to get into the new club Zen Rock, On a Roll sushi prepared for the crush of its reverse happy hour and Maynards wowed diners with its late-night menu. It's a downtown scene that didn't exist two years ago when construction began on the Fourth Avenue Underpass. Thursday, Aug. 20's grand opening of this vital gateway is a grand excuse to explore the emerging dining and nightclubbing scene in the city center. Downtown, after all, has nearly 50 restaurants and bars offering everything from gourmet burgers to flamenco.

"You can feel the excitement," said acclaimed chef Janos Wilder, who opened his first restaurant downtown in 1983 and hopes to return with another. "There's energy in the streets at night, restaurants are full of diners, nightclubs are pulsing with music and dancing. There are people in the streets and they have something to do. A new downtown is emerging. This is becoming a downtown where people will want to be."

______________________________________________________

For all the festivities surrounding tomorrow's opening of the 4th Ave. underpass, check out the Downtown Tucson Partnership website:

http://www.downtowntucson.org/news/?p=437
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  #1039  
Old Posted Aug 20, 2009, 4:27 AM
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Downtown Tucson is really coming around and there is sign of life down there during the day and at night. I think this thing tomorrow will be awesome because they are having the Tucson b-day celebration so there will be a big ole presence in Downtown. I would like to try and go but I will be working til 6PM.
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  #1040  
Old Posted Aug 20, 2009, 4:53 AM
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Birthday celebration?? How old is The Old Pueblo turning?

Also does anyone know when UA is back in session?
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