Quote:
Originally Posted by tovangar2
Are we looking at both walls a second later in KMD? The one on the right has the color change and the smooth(ish) finish. We also, on the north have a set of steps w/ the needed landings, so the leads can face each other after going part way up:
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I wish AF wasn't so damn murky, because we never see the steps they start to climb, before stopping at a landing:
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Also, this is supposed to be the view of Angels Flight, from the leads POV after they exit the car in AF:
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Ha! So if I'd just watched KMD another few seconds, I might have figured it out. I need to be more thorough, or at least patient. I also didn't watch AF long enough to see them walk up the long flight of steps with the window to their left, which sells it as the utility steps along the Astoria, hell, he even talks about "that first landing" and there's three landings in the Astoria along the steps. Soooo you're absolutely correct, they park just that side of the utility stairs between the Sunshine and the Astoria.
As in, where the "C" is in Clay, basically:
And then go to that first landing (the "T" in Hotel).
So then I thought to consult
Indestructible Man, check it out here (this is the version on YT with the highest resolution)
https://www.youtube.com/watch?v=Wt7eedQCDQY and for our interests visit 40:24-44:15 (and don't forget 44:56-48:56 for a bunch of goings-on in the Bradbury Bldg).
Anyhow, here's Marian Carr checking out the guy Lon Chaney Jr just tossed down the steps from the top landing, near Olive (the final "a" in Astoria). There's that two-tone paint job and smooth finish, as distinct from the exposed block on the other side. (Though I'm guessing that's actually also cement, with the block "carved in.")
Here's Chaney going at it—
And a reverse shot that looks down to Clay, in the distance, the back of the Belmont, which fronts Hill. So Chaney grabs and raises the guy over his head at the first landing, but then throws him from down near the second landing. Nice piece of continuity error that no-one noticed (and fewer would care about, perhaps) but I love it anyway.
As long as we're on the subject (insert dead-horse-beating gif here), a shot from
Chicago Calling—
This and lots of related shots from
CC about halfway down the page
here